8岁的托托在妈妈自杀后的第7天，遇到了一个和妈妈长相一样的女混混夏天潜入托托家中偷东西，托托觉得夏天是上天赐给她的礼物，在和夏天的相处中，托托试着一点点改变这个“另类”的女人，也慢慢接受了妈妈的死亡，在这个过程中托托不知不觉中喜欢上了这个新妈妈，却在想要真正接受假妈妈夏天时，夏天离开了，托托不知该何去何从。

8岁的托托在妈妈自杀后的第7天，遇到了一个和妈妈长相一样的女混混夏天潜入托托家中偷东西，托托觉得夏天是上天赐给她的礼物，在和夏天的相处中，托托试着一点点改变这个“另类”的女人，也慢慢接受了妈妈的死亡，在这个过程中托托不知不觉中喜欢上了这个新妈妈，却在想要真正接受假妈妈夏天时，夏天离开了，托托不知该何去何从。

暂无英文版的简介，请添加内容帮助我们完善数据库。

暂无英文版的简介，请添加内容帮助我们完善数据库。

We don't have an overview translated in English. Help us expand our database by adding one.

Two playschool friends Bachchan and Gokhale meet almost after 70 years for a birthday party.

In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”

暂无英文版的简介，请添加内容帮助我们完善数据库。

Jiney is an popular art and photography student, but despite winning an award, she remains unhappy with her work. After photographing the aftermath of a fatal car accident, she finds herself obsessed with death. Suffering from morbid throughts, flashbacks of an incident from her youth when she was sexually abused by some young boys start to appear.

暂无英文版的简介，请添加内容帮助我们完善数据库。